About
A brief description of who you are and what you do.
This section will only display on your public profile if you’ve added content.
You can update this in Pure (opens in a new tab). Select ‘Edit profile’. Under the heading and then ‘Curriculum and research description’, select ‘Add profile information’. In the dropdown menu, select - ‘About’.
Write about yourself in the third person. Aim for 100 to 150 words covering the main points about who you are and what you currently do. Clear, simple language is best. You can include specialist or technical terms.
You’ll be able to add details about your research, publications, career and academic history to other sections of your staff profile.
Research
Research interests
- Intermedial and collaborative music creation practice
- Choreographic implications of sound spatialisation in live performance
- Electronic music production and composition
- Geographically and temporally distributed creativity
- Artificial intelligence and machine learning in digital music making
Current research
My current practice-based research in contemporary composition seeks to generate new knowledge on how to approach making music that accounts for the space in which it is performed. Spatial music – that is, music that uses human perception of sound localisation as a compositional parameter – has a modest but long history dating back to at least biblical times (call and response prayers, for example). More recently, acousmatic and electro-acoustic practice has seen an increased interest in spatial music via multi-channel electronic diffusion.
The problem remains, however, that music for live performance practices still largely ignores space as a compositional parameter. My research asks how can we develop a language of music-in-space/space-in-music with the same sophistication as (for example) harmonic or rhythmic vocabularies? What new forms could result when we foreground sound-in-space as a key compositional parameter? What new kinds of skills are needed from performers and composers when engaging in this kind of music-making practice? What are the aesthetic and emotional experiences of sound and music in space? And what are the choreographic implications of spatialising sound in live performance?
My interest and expertise in this area stems from two decades of studio-based practice in which the manipulation of (perceived) space is a primary concern, and over three decades of collaborative practice in theatrical contexts in which sound and physical movement in space are also central. As such, this ongoing interdisciplinary research draws on scholarship from a range of fields, including acoustics, affective aesthetics, and aural architecture, as well as theatre-, choreography- and studio-based creative practices.
You can update the information for this section in Pure (opens in a new tab).
Research groups
Any research groups you belong to will automatically appear on your profile. Speak to your line manager if these are incorrect. Please do not raise a ticket in Ask HR.
Research interests
Add up to 5 research interests. The first 3 will appear in your staff profile next to your name. The full list will appear on your research page. Keep these brief and focus on the keywords people may use when searching for your work. Use a different line for each one.
In Pure (opens in a new tab), select ‘Edit profile’. Under the heading 'Curriculum and research description', select 'Add profile information'. In the dropdown menu, select 'Research interests: use separate lines'.
Current research
Update this in Pure (opens in a new tab). Select ‘Edit profile’ and then ‘Curriculum and research description - Current research’.
Describe your current research in 100 to 200 words. Write in the third person. Include broad key terms to help people discover your work, for example, “sustainability” or “fashion textiles”.
Research projects
Research Council funded projects will automatically appear here. The active project name is taken from the finance system.
Publications
Public outputs that list you as an author will appear here, once they’re validated by the ePrints Team. If you’re missing any outputs that you’ve added to Pure, they may be waiting for validation.
Supervision
Current PhD Students
Contact your Faculty Operating Service team to update PhD students you supervise and any you’ve previously supervised. Making this information available will help potential PhD applicants to find you.
Teaching
A short description of your teaching interests and responsibilities.
This section will only display on your public profile if you’ve added content.
You can update your teaching description in Pure (opens in a new tab). Select ‘Edit profile’. Under the heading and then ‘Curriculum and research description’ , select ‘Add profile information’. In the dropdown menu, select – ‘Teaching Interests’. Describe your teaching interests and your current responsibilities. Aim for 200 words maximum.
Courses and modules
Contact the Curriculum and Quality Assurance (CQA) team for your faculty to update this section.
External roles and responsibilities
These are the public-facing activities you’d like people to know about.
This section will only display on your public profile if you’ve added content.
You can update your external roles and responsibilities in Pure (opens in a new tab). Select ‘+ Add content’ and then ‘Activity’, your ‘Personal’ tab and then ‘Activities’. Choose which activities you want to show on your public profile.
You can hide activities from your public profile. Set the visibility as 'Backend' to only show this information within Pure, or 'Confidential' to make it visible only to you.
Biography
Dr Drew Crawford is an Associate Professor in Music at the University of Southampton and currently serves as the Department's Director of Programmes and Undergraduate Programme Lead.
I am a composer, producer, sound designer and songwriter with work spanning studio recordings (pop, jazz and EDM genres, film, television, radio and video game soundtracks) and live performances (opera, theatre, dance, cabaret, the concert hall and large-scale corporate events) as well as installation & sound design projects. I love collaboration and being able to work across a broad range of compositional activities, from global projects to intimate commissions, in both commercial and more “art” oriented contexts and feel that each stream of work feeds the others.
I am passionate about teaching creative contemporary music-making and, having taught techniques from digital sound design to 18th century counterpoint, I care deeply about teasing out connections between seemingly unconnected subjects to find the DNA that links them to each other, as well as to students’ own musical experiences.
In 2024-5 I am teaching on The Producer as Composer and Commerical Composition.
I studied composition at the University of Sydney with Peter Sculthorpe, Ross Edwards and Anne Boyd. At the Australian Institute of Music I taught Composition and Music Production and was involved in course design as well as delivery at both Undergraduate and Graduate levels before relocating to the UK in 2016, where I taught as a Visiting Lecturer at City, University of London and as a Teaching Fellow here at the University of Southampton.
You can update your biography section in Pure (opens in a new tab). Select your ‘Personal’ tab then ‘Edit profile’. Under the heading, and ‘Curriculum and research description’, select ‘Add profile information’. In the dropdown menu, select - ‘Biography’. Aim for no more than 400 words.
This section will only appear if you enter the information into Pure (opens in a new tab).
Prizes
You can update this section in Pure (opens in a new tab). Select ‘+Add content’ and then ‘Prize’. using the ‘Prizes’ section.
You can choose to hide prizes from your public profile. Set the visibility as ‘Backend’ to only show this information within Pure, or ‘Confidential’ to make it visible only to you.